12/9/2023 0 Comments Editready mojaveBut what's completely new is 4K resolution in a 35mm sensor - a first for ARRI, which, until now, has not had a native single 4K sensor. That makes it a strong candidate for HDR production - although earlier ALEXAs also have a pretty respectable dynamic range. There is now a smaller camera with a brand new sensor capable of an eyebrow-raising 17 stops of dynamic range. However, with the recent arrival of the ALEXA 35, ARRI upped the ante. But of course ARRI doesn't have a monopoly in the digital cinema space and has its peers amongst brands like Sony, RED, Blackmagic, and Canon. Sporting the by now legendary ALEV sensor, the ALEXA and its derivatives showed that digital could look like film, even in previously "difficult" areas like highlights and skin tones. ARRI has been a mainstay of digital filmmaking since the release of its ALEXA camera twelve years ago. ARRIRAWĪRRI, the century-old (!) cinema camera company, is as much a staple part of a movie maker's vocabulary as Panavision and Technicolor. The format has proved popular amongst commercial filmmakers and anyone whose budget doesn't stretch to the expensive "big name" cameras and likewise expensive storage arrays that you'd need for less compressible formats.Īs ever, EditReady is obsessive about quality and converts Canon RAW to a format of your choice with Canon's own color science to preserve maximum accuracy and authenticity. That's now done, and we think it will be a big deal for the Canon filmmaking community.Ĭolloquially known as Canon RAW, its actual name is Canon Cinema RAW Light - but there's nothing light about it in any way, except that it reduces the bulk of uncompressed RAW files by 60% - 80% without significant visual quality degradation. That extensive line of cameras means that many filmmakers have been calling for EditReady to add support for Canon RAW, recognizable as. Canon RAW (CRM)Ĭanon's camera range includes "traditional" cinema cameras like the C200, C300 Mk 3, and the C500 to the "DSLR shaped" mirrorless R5 and R5 C, which can capture in 8K. Also, we've expanded our existing ARRI support with the new ALEXA 35 and considerably sped up our Blackmagic RAW transcoding. Our focus this year has been on adding comprehensive RAW support to EditReady's already long list of supported formats, and our latest arrival is Canon RAW. EditReady takes you through the process smoothly and efficiently, giving you great-looking, easily usable video files to edit and grade with. But in the real world of tight budgets and deadlines, you'll want to convert camera RAW footage into a more efficient, edit-friendly "mezzanine" format, also known as proxies (See our Explainer on Mezzanines). If you've got the time and money for an end-to-end RAW workflow, it's a good option. But there's a price to pay: huge files, complicated processing even to see the images, and even more processing to view the full dynamic range in a colorspace that looks right. RAW video retains the complete information from a camera's sensor. And EditReady is designed with the future in mind - it’s ready to adopt new formats and workflows.July's 22.3 release adds the popular Canon Cinema RAW Light format as well as support for ARRI's new ALEXA 35 camera A quick recap on RAW It leverages hardware accelerated video decoding, OpenCL image processing, and every CPU cycle your system has to spare. Modern, Blazing Fast, Ready for the FutureĮditReady is designed to take advantage of all of the power available on modern Macs. You can even use metadata to generate filenames for your transcoded files. Manually add location data if your camera didn’t store it, or set a reel name for all of your files. Modern cameras store GPS data, lens settings, diagnostic data, and more. EditReady also allows you to override the framerate on your converted files, for pristine slow-motion with your 60p or 120p footage.ĮditReady provides a rich metadata viewer and editor. You can apply LUTs to your video during conversion to set a specific look or convert your Log footage into Linear. In addition to transcoding to professional formats like ProRes, DNxHD, and H.264, EditReady makes it easy to prep your footage for screening and editing. MOV, MP4 and MXF media can all be quickly converted to edit ready quicktime movies in ProRes or DNxHD. EditReady provides easy, fast and powerful transcoding for video professionals, without an overwhelming interface or outdated format choices.
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